Two finished projects in one week! #1 The mighty tunic!

Cable tunic- reverse

That's Caitlin's cardigan and my tunic finished, blocked and photographed all in

Cable tunic - front

one week, this morning was a beautifully sunny if windy and cold day, idea for bringing out the cable detail on all three of my projects.  It required balancing a camera on an ironing board and using the timer but I got there and am quite pleased with the results.

The purple tunic as you can see is really quite long, comes down to just above my knees and is ideal for wearing with leggings or thick tights and boots, I've got a sleeveless vest on here but it looks good over a long-sleeved one too.  It's quite heavy so it hangs well and is beautifully warm and soft, not at all itchy.

Would I do it again, well, yes, it is beautiful but it is a long project and as it's created in one piece it gets very heavy towards the end.  However, I really valued the lack of seams when...

Blocking at last on the epic tunic

Blocking finally in progress!

Am finally finally onto the blocking stage of my very lovely Cabled Tunic, the three inches of rib at the bottom in p2 k3 nearly killed me but I just kept telling myself it would be worth it, ditto with taking out and redoing the first sleeve after making a mess of it.  It's been a joy to knit, watching the cables emerge twist from side to side, cross and spiral round each other, learning how to do the yarn overs properly and to have holes not too big or too small, and not getting bored as I tend to with plain knit.  The purple Wensleydale aran (#54 aubgergine) I bought last summer at baa ram ewe in Harrogate has been a pleasure to knit with though I would be brave and use a brighter colour next time.

For the most part the tunic fits beautifully but the sleeves turn under slightly so I decided to do something I've never done before and block it.  My husband did look very blankly at me, he's from the knit and wear it school of knitting!

I looked online and found lots of excellent sources which took me through blocking, especially Interweave's own blog.  I put the tunic through a wool wash in my machine, as it will have to put up with this kind of punishment if it is going to survive and rolled it in a towel.  Then I pulled it out gently lengthways and widthways until the waist, bottom edge and length were the same as the sizes given at the beginning of the pattern.  As instructed I didn't pin the ribbing, this damages it apparently.  I then carefully pinned the sleeves to be straight across the top edge stretching them so hopefully they will dry without the slight curl, watch this space...  

Blocking pins were a bit difficult to source, I biked about 12 miles into our local city to my nearest decent knitting shop but they didn't have any so had to buy online, from one of my very favourite stores Barnyarns via Amazon.  I was a bit worried there weren't many in the tin but it's been enough to hold the tunic in shape.  Yesterday I went on a hunt for tights / leggings to wear with it, I dislike clothes shopping at the best of times but this was pure frustration, I eventually found some lovely patterned ones and am all set, now I just have to wait for it to dry!

After the slow work on this big project the work on a cardigan for my 10 year old has gone alarmingly fast. The Wensleydale, although an aran weight wool, was quite fine and I'm now working on WYS (West Yorkshire Spinners) short sleeved cardigan from their Works of Aran patternbook in their Aire Valley Fusions Autumn Mix aran, it's the one on the front of the book.  It just has a single twist pattern on the front so is quick to knit up and the wool is thick, soft and beautifully variegated, just stunning shades.  It's done the old way of front left, right, back and sleeves knitted separately and they have curled so I'll need to block them before joining them together.  Am just loving doing something that is coming together so quick, and having a fraction of the previous 200 odd stitches on my needle.  Knitting seamlessly in the round does have it's advantages, I don't think I could have faced knitting the front after knitting the back of my tunic, but it is heavy by the end!  I really prefer to knit using British wool if I can to support the industry, after these two Yorkshire excursions I'm hoping to go to New Lanark this summer and buy some of their wool.

Minions at Dundee Comics Day and cabling

In the afternoon yesterday we went to the Starblazers Dundee Comics Day workshop at the DCA, a

Minion hat from the At Home With the Lunchbox Guru

combination of two of Caitlin's all time favourite things and I'm not not keen either!  She spent a happy 2 hours creating Doctor Who monsters, meeting real artists and blethering her head off and having some original artwork drawn for her.  I sat on the sofa surrounded by comic artist greats and began knitting a minion hat for my friend's little girl, unfortunately I'm fairly sure it's going to be too small but it's been an education, mostly in how challenging (but fun!) it is to knit intarsia in the round.  Just lets say I have a LOT of ends to knit in!  The pattern has been straightforward and effective, thanks to Juanita McLellan for her generous free Despicable Me Minion Hat on Ravelry.  She has lots of minion patterns and I don't think this will be the last I make.

And I am finally getting on with that tunic, it is slow because you're knitting the entire thing in a

Front of tunic, yoke done with sleeve stiches on holders

single piece but I'm down beyond the yoke and on to the waist decreases.  I went back to my Wensleydale as I realised what I'd done wrong, I was trying to follow the cable patterns back and forth as you would for a pattern knitted on straight needles instead of always backwards as you do for in the round.  If you knit this kind of stuff you'll understand, if not that will be gibberish but basically it meant I was twisting loads of my cables the wrong way and the panels inbetween were wrong to an epic degree.  Almost two balls in this already!  I am really enjoying it, I realise now I need something complex like cabling, fair isle or small fiddly work when I'm knitting, I think actually, in any of my crafting, I get a little bored with plain knit.  Caitlin and I inherited her great grandmother's stash of wool including an unmade-up bear body and Val Pierce's sweet book Knitted Bears from Search Press' 20 to make series, so that's been made and we're working on an outfit, teaching Caitlin how to do increases has been challenging fun.  No, not that loop...

Meeting authors and getting inspired

As our planet tilts on it's axis towards winter we have a combination of frankly horrendous days (Friday, damp feet and jeans, miserable) and stunning (yesterday, sun, a bit chilly but beautiful colours).  Yesterday now 10 year old daughter Caitlin and I went to the Literary Dundee book festival and met Jackie Holt and Ruth Bailey, authors of Knit Your Own Scotland and the follow up Knit Your Own Britain, both of which I bought despite the presence of Maggie Thatcher in the latter, if you're Scottish you'll understand!  I bought it to make the marmite pot and make it into a pin cushion, I do love my marmite...  Just need a marmalade one now!

Both authors gave a great presentation on how they turn their ideas into their stunning figures and how they made them, they are stunning, the faces of people recognisable (contemporary, obviously!) and the period costumes stunning.  This comes from their background in theatre, both costume and prop production, and we got to touch and examine the models.  You could tell most of us were crafters from the forensic examination and oohs and ahs over the quality of the work.  They were wonderfully patient and kind to Caitlin when she went up (in her ghost bride Hallowe'en costume) to ask them to sign them.

Knitting wars

Well, I'm currently wrestling with three knitting projects as well as thinking about my and Caitlin's entries for the competition for the Quilters' Guild Regional Day next weekend.  I'm teaching a group of Young Quilters, this time we're making reverse applique t shirts but I think I'm there with what I need to do for them.  The theme is Anything Goes, so Caitlin is making a TARDIS from a dress I bought for a night out in November last year, it's a size 16 and I'm now down to a 12, despite my best efforts over the summer holidays, and although I have taken it in it's still too big.  I'm hoping to make a dress for one of Caitlin's dolls from my scrap basket, which for some reason never seems to go down, and I can't bear to throw any out.

My cardigan, though mine will be purple

The two projects I'm working on just now are a lacework cardigan (Meier cardigan) and a cabled tunic.  Both are from delicious Interweave books, the tunic from The Art of Seamless Knitting and the cardigan from Metropolitan Knits, it's the one on the cover.  Both are knitted in the round which I like, minimising on seams to sew up.  Well, the tunic has caused me no end of trouble, I originally cast it on using Wensleydale Longwool Sheepshop Aran which I spent a small fortune (for me) on at the just wonderful baa ram ewe in Harrogate when we were down in York on holiday.    I did my tension swatch and it is a fine aran so I had to come down a long way on needle size, but when I began to knit I couldn't see it at all and after a bit of toing and froing with advice from friends online I bit the bullet and ripped it out, sob!  It was then a trip into Dundee to get two huge 400g balls of Wendy Aran with wool which is a nice oatmeal colour, and it's doing fine, though as usually I have to go down about half a mm on the needles because I knit loose.  However, to knit the ribbing for the cardigan I needed a 3.5mm cable needle, now, these apparently don't exist so I needed to go up to 3.75mm and guess what I was knitting the tunic on...  Slipped the tunic onto double pins while I did the ribbing, which was completed last night while watching The Hobbit on DVD, much better viewing the second time round I must admit.  We can't wait until December for part 2 to come out!

Drops 123-21

I was knitting this pair of alpaca gloves in Alpaca Loft's beautiful off white wool, from an Drops Design, a Scandinavian online company who provide the most wonderful free patterns.  However, although I only have a finger and thumb to do on one glove I've stopped, just not inspired at the moment, though I will go back to it when I've got a bit further on with the big projects.

With the cabling for the tunic I photocopied the pattern and colour coded the different instructions, it has made it much easier to follow.

My very first commission!

A little horse that just wants to be a unicorn!

My 9 nearly 10 year old daughter wanted to embroider a pillowcase for her horse mad best friend's birthday and it ended up being a commisson instead, it took me three or four days to finish so it would never have got done in time.  She did, however, do the stitching of the tie around the head so she can genuinely say she contributed.  She is a fast learning embroiderer, crocheter and knitter in her own right.

The design is called I Want to Believe and is from the wonderfully awesome Urban Threads, an American online provider of machine and hand embroidery designs that is certainly not traditional.  They have a huge range of steampunk designs, I am currently embroidering a shirt with an outline version of their steampunk raven but it got put aside to make the pillowcase.  They do the cutest interpretations of the gothic I have ever seen, chibi type zombies and vampires are typical.  The only problem is I want to make them all and would need a few more days in the week to do so.

I transferred the design to the fabric using dressmakers carbon paper, the fabric was too dark to trace through from underneath and I don't have a lightbox.  I used the yellow paper and the line showed up well on the turquoise, it did not come off at all but was still a nice fine line that was easily covered with stitching.  I put the sewing in a hoop when I was stitching, just an ordinary metal and plastic spring embroidery hoop, it did still pucker a bit and I think I would use a stabiliser next time.   I stitched using DMC stranded cotton embroidery threads and a metallic gold.  The gold was a right pain to sew with but it's worth the effort, you just have to use short lengths and lots of paitence!  I used a single thread of this for the horn and body band with two or three threads for the outlines on the body band and wings.  I used two threads of the DMC on the face, ears, mane and string on the head, three on the wings and body and four on the tail using two colours in the needle, the body colour and a slightly darker colour.  The eyes are french knots in four strands, two of the darkest purple and two of a dark indigo.  The writing is two threads of DMC cotton as well.

I really enjoyed using a sort of long and short stitch following the contours of the wee horse with my daughter's favourite model horse beside me to check on coat hair directions, it's really not what I would have thought had I not looked at it!   It was worth the work and I think it's just so cute, and am dead proud of my first ever use of full on hand embroidery, I'm always so nervous starting a technique for the first time but all those years of precision with cross stich have paid off, particularly knowing how to unknot a thread and hold it up to untwist it before sewing.

Second pair of knitted socks - done!

That's my second pair of socks made with Opal's 4 ply Sock Yarn done and dusted, this pair to go away for winter, though, given the current weather here in Scotland that won't be long.  The wool is Opal's Vincent Van Gogh range, a pretty orange and green striped variegated yarn (ombre) with purple and yellow flecks called Paul Gauguin's Armchair with Candle #5436, colours taken from the painting of the same name. 

I've enjoyed learning how to knit socks and now feel ready for the fair isle versions I've looked at with longing, I got a bit bored with this pair which is a good sign that I've got the technique down.  There's a lot going on, knitting in the round is straightforward and it's fun watching the colours change, it's a nice wool to knit with.  Short rows to create the heel flap, picking up the flap stitches and creating the gusset are challenging but the instructions that came with leaflet that came with Opal's ball of wool as part of Rainbow Silk's sock knitting kit are comprehensive and if followed with care give the right result.  I had to shorten the number of rows after the heel as I've got smallish but wide feet so I knitted only 35 rows before decreasing for the toe.  The kits are lovely, wool, needles, pattern and a set of adorable stitch markers.  And then finally decreasing down to a 20 stitch toe and kitchener stitch, sewing up the toe to give a dead neat finish.